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ARTH.3340 C01 F19 v1.00 Required text: Bohn, Babette and James M Saslow, A Companion to Renaissance and Baroque Art, Hoboken: Wiley-Blackwell 2013. Online Resource (University of Guelph Library) or purchase through Wiley, CDN $47.99. A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible. Download Product Flyer is to download PDF in new tab.
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A Companion to Renaissance and Baroque Art provides adiverse, fresh collection of accessible, comprehensive essaysaddressing key issues for European art produced between 1300 and1700, a period that might be termed the beginning of modernhistory. * Presents a collection of original, in-depth essays from artexperts that address various aspects of European visual artsproduced from circa 1300 to 1700 * Divided into five broad conceptual headings: Social-HistoricalFactors in Artistic Production; Creative Process and Social Statureof the Artist; The Object: Art as Material Culture; The…mehr
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- A Companion to Renaissance and Baroque Art (eBook, ePUB)
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- Produktdetails
- Verlag: John Wiley & Sons
- Seitenzahl: 648
- Erscheinungstermin: 31.01.2013
- Englisch
- ISBN-13: 9781118391501
- Artikelnr.: 37756372
Preface/Acknowledgments Introduction Babette Bohn and James M. Saslow
Co-Editors Part 1. The Context: Social-Historical Factors in Artistic Production 1. A Taxonomy of Art Patronage in Renaissance Italy Sheryl Reiss 2. Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters Shelley Perlove 3. Religion
Politics and Art in Late Medieval and Renaissance Italy Julia I. Miller 4. Europe's Global Vision Larry Silver 5. Italian Art and the North: Exchanges
Critical Reception
and Identity
1400-1700 Amy Golahny 6. The Desiring Eye: Gender
Sexuality
and Visual Art James M. Saslow Part 2. The Artist: Creative Process and Social Stature 7. The Artist as Genius William E. Wallace 8. Drawing in Renaissance Italy Mary Vaccaro 9. Self-portraiture 1400-1700 H. Perry Chapman 10. Recasting the Role of the Italian Sculptor: Sculptors
Patrons
Materials
and Principles for the New Early Modern Age Elinor Richter 11. From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe Babette Bohn Part 3. The Object: Art as Material Culture 12. The Birth of Mass Media: Printmaking in Early Modern Europe Alison Stewart 13. The Material Culture of Family Life in Italy and Beyond Jacqueline Marie Musacchio 14. Tapestry: Luxurious Art
Collaborative Industry Koenraad Brosens 15. The New Sciences and the Visual Arts Eileen Reeves 16. Seeing Through Renaissance and Baroque Paintings: Case Studies Claire Barry Part 4. The Message: Subjects and Meanings 17. Iconography in Renaissance and Baroque Art Mark Zucker 18. Renaissance Landscapes: Discovering the World and Human Nature Lawrence O. Goedde 19. The Nude Figure in Renaissance Art Thomas Martin 20. Genre painting in Seventeenth-century Europe Wayne Franits 21. The Meaning of the European Painted Portrait
1400-1650 Joanna Woods-Marsden 22. All the World's a Stage: The Theater Conceit in Early Modern Italy Inge Reist 23. Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era
1550-1700 Marcus Burke Part 5. The Viewer
the Critic
and the Historian: Reception and Interpretation as Cultural Discourse 24. Historians of Northern European Art: from Johann Neudörfer and Karel Van Mander to the Rembrandt Research Project Jeffrey Chipps Smith 25. Artistic Biography in Italy: Vasari to Malvasia David Cast 26. With a Critical Eye: Painting and Theory in France
1600-1643. The Case of Simon Vouet and Nicolas Poussin Joseph L. Forte 27. The Double Life of the Italian Piazza: Between Art Historical Monument and Social Phenomenon Niall Atkinson 28. Building in Theory and Practice: Writing about Architecture in the Renaissance Carolyn Yerkes
Co-Editors Part 1. The Context: Social-Historical Factors in Artistic Production 1. A Taxonomy of Art Patronage in Renaissance Italy Sheryl Reiss 2. Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters Shelley Perlove 3. Religion
Politics and Art in Late Medieval and Renaissance Italy Julia I. Miller 4. Europe's Global Vision Larry Silver 5. Italian Art and the North: Exchanges
Critical Reception
and Identity
1400-1700 Amy Golahny 6. The Desiring Eye: Gender
Sexuality
and Visual Art James M. Saslow Part 2. The Artist: Creative Process and Social Stature 7. The Artist as Genius William E. Wallace 8. Drawing in Renaissance Italy Mary Vaccaro 9. Self-portraiture 1400-1700 H. Perry Chapman 10. Recasting the Role of the Italian Sculptor: Sculptors
Patrons
Materials
and Principles for the New Early Modern Age Elinor Richter 11. From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe Babette Bohn Part 3. The Object: Art as Material Culture 12. The Birth of Mass Media: Printmaking in Early Modern Europe Alison Stewart 13. The Material Culture of Family Life in Italy and Beyond Jacqueline Marie Musacchio 14. Tapestry: Luxurious Art
Collaborative Industry Koenraad Brosens 15. The New Sciences and the Visual Arts Eileen Reeves 16. Seeing Through Renaissance and Baroque Paintings: Case Studies Claire Barry Part 4. The Message: Subjects and Meanings 17. Iconography in Renaissance and Baroque Art Mark Zucker 18. Renaissance Landscapes: Discovering the World and Human Nature Lawrence O. Goedde 19. The Nude Figure in Renaissance Art Thomas Martin 20. Genre painting in Seventeenth-century Europe Wayne Franits 21. The Meaning of the European Painted Portrait
1400-1650 Joanna Woods-Marsden 22. All the World's a Stage: The Theater Conceit in Early Modern Italy Inge Reist 23. Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era
1550-1700 Marcus Burke Part 5. The Viewer
the Critic
and the Historian: Reception and Interpretation as Cultural Discourse 24. Historians of Northern European Art: from Johann Neudörfer and Karel Van Mander to the Rembrandt Research Project Jeffrey Chipps Smith 25. Artistic Biography in Italy: Vasari to Malvasia David Cast 26. With a Critical Eye: Painting and Theory in France
1600-1643. The Case of Simon Vouet and Nicolas Poussin Joseph L. Forte 27. The Double Life of the Italian Piazza: Between Art Historical Monument and Social Phenomenon Niall Atkinson 28. Building in Theory and Practice: Writing about Architecture in the Renaissance Carolyn Yerkes
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Contributors viii
Preface xv
Acknowledgments xvii
Introduction 1
Babette Bohn and James M. Saslow
Babette Bohn and James M. Saslow
Part 1 The Context: Social-Historical Factors in Artistic Production 21
1 A Taxonomy of Art Patronage in Renaissance Italy 23
Sheryl E. Reiss
Sheryl E. Reiss
2 Judaism and the Arts in Early Modern Europe: Jewish and Christian Encounters 44
Shelley Perlove
Shelley Perlove
3 Religion, Politics, and Art in Late Medieval and Renaissance Italy 65
Julia I. Miller
Julia I. Miller
4 Europe’s Global Vision 85
Larry Silver
Larry Silver
5 Italian Art and the North: Exchanges, Critical Reception, and Identity, 1400–1700 106
Amy Golahny
Amy Golahny
6 The Desiring Eye: Gender, Sexuality, and the Visual Arts 127
James M. Saslow
James M. Saslow
Part 2 The Artist: Creative Process and Social Status 149
7 The Artist as Genius 151
William E. Wallace
William E. Wallace
8 Drawing in Renaissance Italy 168
Mary Vaccaro
Mary Vaccaro
9 Self-Portraiture 1400–1700 189
H. Perry Chapman
H. Perry Chapman
10 Recasting the Role of the Italian Sculptor: Sculptors, Patrons, Materials, and Principles for the New Early Modern Age 210
Elinor M. Richter
Elinor M. Richter
11 From Oxymoron to Virile Paintbrush: Women Artists in Early Modern Europe 229
Babette Bohn
Babette Bohn
![A Companion To Renaissance And Baroque Art Pdf A Companion To Renaissance And Baroque Art Pdf](/uploads/1/2/5/7/125734163/872670383.jpg)
Part 3 The Object: Art as Material Culture 251
12 The Birth of Mass Media: Printmaking in Early Modern Europe 253
Alison G. Stewart
Alison G. Stewart
13 The Material Culture of Family Life in Italy and Beyond 275
Jacqueline Marie Musacchio
Jacqueline Marie Musacchio
14 Tapestry: Luxurious Art, Collaborative Industry 295
Koenraad Brosens
Koenraad Brosens
15 The New Sciences and the Visual Arts 316
Eileen Reeves
Eileen Reeves
16 Seeing Through Renaissance and Baroque Paintings: Case Studies 336
Claire Barry
Claire Barry
Part 4 The Message: Subjects and Meanings 359
17 Iconography in Renaissance and Baroque Art 361
Mark Zucker
Mark Zucker
18 Renaissance Landscapes: Discovering the World and Human Nature 381
Lawrence O. Goedde
Lawrence O. Goedde
![Free Free](/uploads/1/2/5/7/125734163/244811990.jpg)
19 The Nude Figure in Renaissance Art 402
Thomas Martin
Thomas Martin
20 Genre Painting in Seventeenth-Century Europe 422
Wayne Franits
Wayne Franits
21 The Meaning of the European Painted Portrait, 1400–1650 442
Joanna Woods-Marsden
Joanna Woods-Marsden
22 All the World’s a Stage: The Theater Conceit in Early Modern Italy 463
Inge Jackson Reist
Inge Jackson Reist
23 Intensity and Orthodoxy in Iberian and Hispanic Art of the Tridentine Era, 1550–1700 484
Marcus B. Burke
Marcus B. Burke
Part 5 The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse 505
24 Historians of Northern European Art: From Johann Neudörfer and Karel van Mander to the Rembrandt Research Project 507
Jeffrey Chipps Smith
Jeffrey Chipps Smith
25 Artistic Biography in Italy: Vasari to Malvasia 525
David Cast
David Cast
26 With a Critical Eye: Painting and Theory in France, 1600–43 The Case of Simon Vouet and Nicolas Poussin 541
Joseph C. Forte
Joseph C. Forte
27 The Italian Piazza: From Gothic Footnote to Baroque Theater 561
Niall Atkinson
Niall Atkinson
28 Building in Theory and Practice: Writing about Architecture in the Renaissance 582
Carolyn Yerkes
Index 602
Carolyn Yerkes
Index 602